“A good notation has a subtlety and suggestiveness which at times make it almost seem like a live teacher.” — Bertrand Russell [6].
The point of this final section is to show how the calculus can facilitate the analysis of string figures.
We turn our attention to the figure Caroline Island Diamonds (p. 260) from Chapter VI of Jayne.
Throughout this chapter, there are many openings other than
and
.
Generally, it is difficult to render openings using the string figure calculus.
The manipulations involved usually do not lend themselves to annotation.
However, it is often possible to give an alternative construction of openings.
Caroline Island Diamonds is a wonderful example of a figure with a simple re-construction.
The manipulations below are entirely fabricated, and bear little resemblence to moves used in the original figure.
The figure begins with a unique opening shown in Figure 606 (p. 262) of Jayne.
One can construct this opening from
as follows:
In this construction, the moves feel extraneous.
We move a loop to
only to immediately move it back.
Notice that the position
is closely related to
.
We would like to make some moves to get “closer” to
.
To do so, we lift the
through the
and return it to the
.
This is closer to
but the
is twisted.
Correcting for this twist gives the following equivalence: